Ghost Killer (2024)

 

A hitman’s ghost is bound to a teenage girl after she stumbles across the casing of the bullet that killed him. He’s able to possess her body as they team up to seek revenge on his old gang. Yes, this Japanese actioner sounds cheesy, but it was still fun. The fighting sequences are good too. I'd watch a US remake.

Rating: C+

The Bone Collector (1999)

 

Credit to Denzel for a stellar performance using only his face and finger. His protégé Angelina Jolie plays his avatar at crime scenes as they attempt to catch a serial killer. Watching in 2025, the film seems quite dated. Not sure I buy the weird romance that felt shoehorned in at the end. 

Rating: C+

She Rides Shotgun (2025)

 

A breakout performance by Ana Sophia Heger as a little girl caught up in a very adult mess. The tone is tense and sad. Stories like this don’t have “happy” endings. 

Rating: C+

The Matrix (1999)

 

What I’ve discovered as I rewatch these films that I loved from 25+ years ago is that there’s an added level of enjoyment that comes from seeing something new; from not knowing what happens next. 

The first time experience cannot be replicated. This is reflected in my reviews awarded in subsequent viewings. The magic and excitement of seeing The Matrix for the first time in a theater is quite different from rewatching it on a smaller screen in my townhome; already knowing what’s to come, more or less. 

So while I can now observe the innovation that went into making this film back then, I don’t appreciate it like I did back then. I no longer think it’s incredible–just good. 

Rating: B

Fight Club (1999)

 

I was reminded of The Sixth Sense, which also came out in 1999. Where after a second viewing, the twist/reveal seems so obvious. It’s a dark, mind-bending, testosterone-filled, violent punch to the head. 25 years ago, it spoke to me a little more than it does now. 

Rating: B

Never Been Kissed (1999)

 

A big theme of this movie is older folks perving out on underage high school kids, and everyone is cool with it. Feels a bit more cringe 25 years later, but still quite funny in parts. 

Rating: C+

Galaxy Quest (1999)

 

A fun distraction that surely inspired the Black Mirror USS Callister episodes. Sci-fi silliness with plenty of laughs. 

Rating: B-

Magnolia (1999)

 

Paul Thomas Anderson was a superstar back then. Seems like half of Hollywood stars in this film. The fast pacing and shifting storylines keep the audience engaged from beginning to end. 

However, watching it now, I’m reminded how sad and tragic everyone is. It’s a pretty depressing 3 hours. Heavy stuff. Tom Cruise’s Academy Award nomination was well deserved. It was a standout performance in a sea of great performances.  

Rating: B

The Limey (1999)

 

A stoic Terrance Stamp seeks vengeance in L.A. for his daughter’s murder. There’s a certain charm to it. Baddies get their comeuppance. 

Rating: C+

Office Space (1999)

 

The first 5-10 minutes of this movie remind me why I’ll never go back to working in an office. What a nightmare. Office Space encapsulates the drudgery and duldrum of white collar work in America. Iconic characters. Jennifer Aniston is adorable. Stephen Root is unrecognizable. Plenty of laughs. 

Rating: B-

Ghost Dog: The Way Of The Samurai (1999)

 

I remember enjoying the vibe of this unique film from Jim Jarmusch. It features a funky mix of cultures and music. Certain oddities are endearing. 

Rating: C+

The Sixth Sense (1999)

It’s a different experience watching a second time, already knowing the twist and seeing how obvious it was in retrospect. I guess that’s how magic tricks work. Once the trick is revealed, you wonder how you didn’t figure it out before. 

Haley Joel Osmet and Donnie Wahlberg (as short as his scene was) acted the hell out of their roles. After such a serious origin, you wouldn’t expect Haley as an adult being so funny. 

Sixth Sense sparked many big twist/reveal movies, and for that it’s a classic. It also delivers on its central theme of facing your fears. 

Rating: B

Election (1999)

 

A reminder that bad decisions have consequences, but don’t necessarily ruin your life. I’d forgotten how sad some of these characters are. Worth a second viewing, but not as good as I remembered it. 

Rating: C+

Three Kings (1999)

 

David O. Russel delivers both an entertaining Hollywood movie and a message about the absurdity of war. War is about greed. Greed for land, power, and money, and everything that comes with having those things. The antidote is empathy, which is in short supply. The film delivers a somewhat hopeful message of how empathy can occasionally cut through that greed to do some good. 

Rating: B

Run Lola Run (1998)

 

I remember liking this film a lot more 25 years ago. Watching it again, I found myself annoyed at the editing. We get it, Lola runs!! The novelty at seeing three overlapping timelines isn’t enough to compensate for the lack of story development. 

Rating: C

Being John Malkovich (1999)

 

Written by Charlie Kaufman and directed by Spike Jonze. Weirdness was guaranteed. I wish I could have been in the meeting when this was first pitched to Malkovich. What a bizarre and intriguing role to play. Loved the restaurant scene where he’s playing 100 different versions of himself. Truly a unique vision. 

Rating: B

The Life Of Chuck (2024)

I’m not sure what I just watched. An extended episode of The Twilight Zone? I'm confused by the timeline, because it seems the characters around Chuck didn't age. Those teachers were basically the same age as when he was a kid as when he was an adult--others too. 

And they didn't remember Chuck as a person when they crossed paths with him later. I'm assuming Act 3 all takes place in his mind while he's in a coma or some shit. It was frustratingly vague, even while the film itself was interesting. I’d hoped the third act would pull everything together. Instead the whole thing was an enigma dancing around smoke and mirrors. 

Rating: C

The Insider (1999)

 

Watching this in 2025 is a trip. Seems like 100 years have passed instead of 25. The pace of news is agonizingly slow as people send faxes, ship documents, consult The Yellow Pages, use pay phones, and read newspapers. Everything is outdated. 

Michael Mann’s style feels slow and clunky in this slow burner. It’s white collar legal stuff, so Mann relies on jump cut racoons and shadowy golfers to try and make it exciting. Doesn’t really work. 

Maybe the subject of nicotine and tobacco companies was a bigger deal back then, but the story seems insignificant in the face of the current tsunami of malfeasance and corruption washing over us on a daily basis. Stretched over 2 ½ hours, the film wasn’t very riveting. 

Rating: D+

Mad Props (2024)

 

A documentary for nerds interested in movie props, those who collect them, and those who make them. It was interesting to see these iconic pieces in people’s home collections, as well as the stories behind them. The film itself was very basic. 

Rating: C

40 Acres (2024)

 

A family farm defends itself from looters and killers in a post-apocalyptic world where resources are scarce. Sign me up! This isn’t Mad Max or a zombie flick. It’s a family drama set in a lawless future. Characters have depth. The audience is given a reason to care. The bad guys are scary. Action sequences are fantastic. A top 10 movie of the year. 

Rating: B