28 Years Later: The Bone Temple (2026)

 

The set-up at the end of 28 Years Later had us all buzzing. Little Spike joins a post-apocalyptic gang of professional zombie killers. It was quite disappointing that they turned out to be a bunch of flesh skinning Satanists. Hopefully the 3rd installment of this trilogy turns out to be a better ride. 

Rating: C

The Wrecking Crew (2026)

 

Hawaiian brothers Godzilla their way through Oahu, obliterating the bad guys in their path. A bunch of innocent bystanders also get 86'd, but somehow they are never called in to be questioned. 

It’s a check-your-brain-at-the-door carnage film for a Friday night at home. 

Rating: C

Rental Family (2025)

 

This film made me very homesick for Japan. A single scene can bring back a hundred little memories of life there. It was beautifully shot and directed. The story was emotional and relatable. It’s nice to see Brendan Fraser in these mature roles after starting his career in mostly silly stuff. 

Rating: B

Dust Bunny (2025)

This didn’t come together for me as a fantasy or a hitman thriller. The story seems to take place in an alternate reality, yet attempts to be taken seriously. They needed to pick a lane. 

Rating: C-

Sisu: Road To Revenge (2025)

 

I love that they made a sequel to the Finnish Rambo. Like the first, the plot is complicated. Nazis fuck around and find out. Extremely graphic. You’ll get your money’s worth in creative kills. I can’t imagine this is on Putin’s must-see list. 

Rating: C+

Wake Up Dead Man: A Knives Out Mystery (2025)

 

Heavy on the religiosity and convoluted mystery that ultimately didn’t feel all that rewarding. It was fine. 

Rating: C

The Truman Show (1998)

 

What’s interesting, after all this time, there still hasn’t been a real show like The Truman Show, which means the plot is still ahead of its time. The closest thing I can think of is something like The Joe Shmo Show, where an entire fake reality show was constructed for one unsuspecting contestant who thought it was all real. 

The movie is clever and entertaining. It was fun spotting various background actors that went on to bigger roles. I still don’t love the third act and how it ends. Would have enjoyed seeing Truman enter the real world, if even for the first few minutes. Maybe show him a few years in the future living in a small shack with his true love in Fiji. 

Rating: B-

The Running Man (2025)

 

The reboot was a very big departure from the original, which isn’t a bad thing. The updated gameshow and premise were quite promising. A lot of originality in the first half of the film. Typically, it wasn’t sustainable. The script took a dive in the second half, culminating in a cringeworthy ending. Wasted potential. 

Rating: C-

Shakespeare In Love (1998)

 

I struggled a little with them buying for a second that Gwenyth Paltrow, looking lovelier than ever, was a male actor. Some early scenes felt ham-fisted. However, I completely bought in by the third act. The interplay between what was happening with Shakespeare in front of and behind the curtain was enthralling. 

I’m not convinced it deserved all the awards it received, but I enjoyed it nonetheless. 

Rating: B-

Wildcat (2025)

 

Woof. 

Rating: D-

Roofman (2025)

 

I find it depressing to watch people make one bad decision after another on screen. Seems like they tried to dress this character up as a good guy, but he hurt a lot of people. 

Rating: C-

The Running Man (1987)

 

The Running Man was one of the first rated R movies I watched as a kid. I was about 14 years old and thought it was a great flick. Rewatching it many decades later, I can now see it’s pure camp. They focused on biceps and babes over performances and plot. I found myself groaning at how bad some scenes were. I’ll be curious to see what they do with the remake. 

Rating: D

Frankenstein (2025)

 

Always a treat to see a Guillermo Del Toro vision come to life on screen. His specialty is taking the grotesque and making it beautiful. I can see why he was drawn to this story. I kept thinking about King Kong, and the similarities of the two narratives. It’s a tragic tale with brief bouts of happiness. Intriguing, but sad. 

Rating: C+

Rushmore (1998)

 

A nice thing about Wes Anderson films is that they seem to take place in a time all of their own, so watching this decades later, it doesn’t feel dated. The subject is misplaced love and attention. Typical quirky Anderson characters engage against a backdrop of indie and classic tunes. 

I very much enjoy the theatrical stage productions often contained in his films. Later he will direct entire films in this manner. 

Rating: B-

Predator: Badlands (2025)

 

A fresh take on the Predator universe. It was fun seeing a script from the predator’s perspective, rather than their prey. It’s always about the characters first, rather than relying on just action and violence. I’d love to see a highbrow Predator series in the same vein as Alien: Earth. 

Rating: C+

Downton Abbey: The Grand Finale (2025)

 

These theatrical additions to the series mean a lot to fans like me. All three have been a delight. I’ll miss these characters, and I imagine they will miss the many years they have worked together. This was a fine endcap to their stories. 

Rating: B-

Americana (2023)

 

A new west tale of struggle and conflict in an unconventional indie film where not everyone makes it out alive. 

Rating: C+

Lilith Fair: Building A Mystery (2025)

 

A trip down memory lane, having attended the 1st Lilith Fair in 1997. I had a great time, but I was completely unaware of the origins of the festival and hurdles they had to overcome to make it happen. I loved seeing the old footage and iterations of the tours that I didn’t get to attend. 

Rating: C

Out Of Sight (1998)

 

All these years later, this Sodenbergh film still holds up. The chemistry between Clooney and Lopez sparkles. That trunk scene is iconic. Nobody plays the dopey sidekick quite like Steve Zahn. The adapted screenplay is smart and often funny. 

Rating: B

Mad Heidi (2022)

 

I discovered Swissploitation is a thing, although I suspect the genre only has this single film in its ranks. On point from an ultraviolence perspective, but lacking in the humor and storytelling departments. Production was better than I expected. 

Rating: C-